Free PDF The Mambo Kings Play Songs of Love, by Oscar Hijuelos
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The Mambo Kings Play Songs of Love, by Oscar Hijuelos
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Cuban brothers Nestor and Cesar Camillo come to New York City in 1949 with dreams of becoming famous Mambo musicians. This memorable novel traces the arc of the two brothers’ lives—one charismatic and macho, the other soulful and sensitive—from Havana to New York, from East Coast clubs and dance halls to the heights of musical fame.
An international bestseller and the 1990 Pulitzer Prize winner for fiction, The Mambo Kings Play Songs of Love was made into a popular movie in 1992 starring Antonio Banderas and Armand Assante. With a new afterword by Oscar Hijuelos, this book has stood the test of time as a groundbreaking work of American literature.
ABOUT THE AUTHOR
The child of Cuban immigrants, Oscar Hijuelos (1951–2013) was an American-born novelist and the first Hispanic writer to win the Pulitzer Prize for fiction. A native New Yorker, he earned a Master of Arts in Creative Writing from the City College of New York, where he studied under Susan Sontag, Donald Barthelme, and William S. Burroughs.
In addition to the Pulitzer, Hijuelos won the Rome Prize, an Ingram Merrill Foundation Award, the Hispanic Heritage Award for Literature as well as several grants from the Guggenheim Foundation and the National Endowment for the Arts. He wrote seven novels which have been translated into more than 25 languages.
- Sales Rank: #297727 in eBooks
- Published on: 2013-11-14
- Released on: 2013-11-14
- Format: Kindle eBook
Amazon.com Review
Inspired by their heroes Xavier Cugat and Desi Arnaz, brothers Cesar and Nestor Castillo come to New York City from Cuba in 1949 with designs on becoming mambo stars. Eventually they do--performing with Arnaz on "I Love Lucy" in 1955 and recording 78s with their own band, the Mambo Kings. In his second novel, Hijuelos traces the lives of the flashy, guitar-strumming Cesar and the timid, lovelorn Nestor as they cruise the East Coast club circuit in a flamingo-pink bus. Enriching the story are the brothers' friends and family members--all driven by their own private dreams. The Mambo Kings Play Songs of Love won a Pulitzer Prize in 1990.
From Publishers Weekly
The Mambo Kings are two brothers, Cesar and Nestor Castillo, Cuban-born musicians who emigrate to New York City in 1949. They form a band and enjoy modest success, playing dance halls, nightclubs and quince parties in New York's Latin neighborhoods. Their popularity peaks in 1956 with a guest appearance on the I Love Lucy show, playing Ricky Ricardo's Cuban cousins and performing their only hit song in a bittersweet event that both frames the novel and serves as its emblematic heart. Hijuelos's first novel, Our House in the Last World , was justly praised for its tender vignettes of emigre Cuban life; here, he tells of the triumphs and tragedies that befall two men blessed with gigantic appetites and profoundly melancholic hearts--Cesar, the elder, and the bandleader, committed to the pursuit of life's pleasures, and Nestor, he of the "dark, soulful countenance," forever plunging through a dark, Latin gloom. In a performance that deepens the canon of American ethnic literature, Hijuelos evokes, by day, a New York of crowded Harlem apartments made cheery by Cuban hospitality, and by night, a raucous club scene of stiletto heels and waxy pompadours--all set against a backdrop of a square, 1950s America that thinks worldliness means knowing the cha-cha. With an unerring ear for period idioms ("Hello you big lug") and a comic generosity that renders even Cesar's sexual bravado forgivable if not quite believable, Hijuelos has depicted a world as enchanting (yet much closer to home) as that in Garcia Marquez's Love in the Time of Cholera . The lyricism of Hijuelos's language is wonderfully restrained, conveying with equal facility ribald comedy and heartfelt pathos. Despite a questionable choice of narrative conceit (Cesar recollects the novel from a seedy "Hotel Splendour" in 1980), Hijuelos's pure storytelling skills commission every incident with a life and breath of its own.
Copyright 1989 Reed Business Information, Inc.
Review
"A rich and sorrowful novel... that alternates crisp narrative with opulent musings--the language of everyday and the language of longing. You finish feeling... ready to throw up your arms and cry, �Que bueno es! Mr. Hijuelos is writing music of the heart."―New York Times Book Review
"Brilliant... memorable... a heady and powerful triumph... one of the most spectacularly vibrant and moving works by an American in years."―Alice Metcalf Miller, Cleveland Plain Dealer
Most helpful customer reviews
51 of 63 people found the following review helpful.
Keep An Open Mind
By A Customer
I read this book, for the first time, for a college American Literature course about seven years ago. The teacher warned everyone in advance that it "may appear to be a bit too descriptive, too sexual but to please keep an open mind" because this was an integral part of the book. He was right. I found this book to be fascinating, sensual and written clearly enough that I felt as though I was a character on the sidelines, watching these two brothers go through their lives. To the readers who found this degrading to women, try to realize that these were lovers in the true definition. They were Cuban men who absolutely adored women; they appreciated the beauty of all women and showed it in the most physical sense possible. As a woman, I found the book to be truly sensual and enjoyable. Since reading this book I have made a point to read all of Hijuelos' books and, every year or two, I pick up "Mambo Kings Play Songs of Love" to go back to that time of raw sensuality that Hijuelos describes so well.
My teacher was right. Keep an open mind while reading this, or any, book. But, don't deny yourself the luxury of reading such a wonderful book!
17 of 20 people found the following review helpful.
Hijuelos is a great writer
By R. J. Marsella
I had already read Simple Havana Melody and Mr. Ives Christmas and was developing a deep admiration for Oscar Hijuelos' talent as a writer. Since this is his best known work I knew I had to check it out. It is a very engaging book about Cuban brothers trying to make it in the US during the 50's Mambo craze. The story is very entertaining as many memorable characters both fictional and real Cuban musicians from the period are introduced.
The story while full of colorful epsiodes is ultimately tragic as the brothers age and life takes it's toll on each of them in very different ways.
Hijuelos uses sexual imagery and descriptions of food to create a steamy intensity to the story with great effect. That said the lurid sexual descriptions cited by many other reviewers may turn off some readers. While I was enjoying the book enough to overlook this, there are times when he does rely too much on this device and the novel starts to feel like a guilty pleasure. If you are OK with that type of writing then there are rewards to be had in the characterizations and plot. If you cannot stomach the hard-core sexual references that are integral to this book then stay away and try one of his other novels.
18 of 22 people found the following review helpful.
Beautiful plot, beautiful writing...
By Kate
This was an excellent read, if not sold simply because of the vivid colourful Latino descriptions of the people, the persusaive sense of the fire of Latin America, and of course, the constant, often coarse, sex scenes.
It was such a bittersweet book, such an undercurrence of sadness and loss. It was essentially, a lament to old age and wasted youth. The detail is incredible, the emotions very real. It effectively captures the horrible sinking inevitability of death.
Hijelo's characters are wild, if not dislikable. This is perhaps the finest point of the piece; the characters are utterly human and terribly flawed.
Cesor's incredible libedo is at the forefront of the work, and there is a sense of humidity, sweat and the smells of sex that pervade the work. Hijelo should be admired for being able to conjuer up such senses. I found it a sensual read, however I disagree with many who describe the sex as sensual. It seemed very coarse, but this is not a criticism, it served its coarse purposes.
The only criticism I have is the distracting nature of many of the sex scenes. The sheer amount of them seemed somewhat unnecessary, however, they began to fade once Cesar aged.
Over all, innovative and superb.
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